Chinese Dragon Totems |
The Confucian elements in The Woman Warrior are distinct: community trumps individual needs, religious hierarchy dictates family roles, and women are to obey relationship roles. Despite the clear Confucian sway there are undertones of ancestral worship and animal reverence.
Emile
Durkheim said that Totem worship is the origin of all religion. A totem is any animal or object which
reflects the community and its sacred connection to God. It represents not only
deities, but also ancestors. In totemic cultures, equal emphasis is placed upon
veneration for the eternal divine and for diseased ancestors. Animal totems act
as both vertical and horizontal axis mundis: they connect an individual with both
God on high and the ghosts around him. This demonstrates the Totemic principle
that the sacred soul is a piece of a whole, not an island unto itself. In
traditional practice, it was believed that one could utilize the power of his
totem in times of need. Durkheim’s description of ancestral totem worship is
found in the “Shaman” chapter of The
Woman Warrior.
In this
section, Kingston retells a humorous anecdote about her mother’s experiences
in college. While studying, the women in the dormitory hear a mysterious noise coming
from a room believed to haunted. Her mother readily volunteers to investigate,
claiming she has no fear of ghosts. Having found no apparition, mother tells
the girls: “There’s nothing to be afraid of in the whole dormitory, including the
ghost room. I checked there too” (Kingston 67). Kingston’s commentary on this
scene reveals traces of totemic superstition: “My mother may not have been afraid,
but she would be a dragoness (“my totem, your totem”) During danger she fanned
out her dragon claws and riffled her red sequin scales and unfolded her coiling
green stripes” (Kingston 67). This
statement shows that Kingston’s ancestors worshiped a dragon totem. Her mother
clearly values the power of dragons to help her in times of need.
And
such a time would arise within minutes of mother’s triumph. Returning to the
ghost room she finds a hostile Fox spirit, unseen before. She threatens the
spirit, “When morning comes, only one of us will control this room, and Ghost,
that one will be me. I will be marching its length and width; I will be
dancing, not creeping like you… Do you know what gift I will bring you? I’ll
get fire, Ghost!” (Kingston 70). She galvanizes her roommates, who assist her
in burning the spirit using alcohol and oil. With the help of her family’s
dragon totem, Kingston’s mother was able to defeat the violent Sitting Ghost. But
this ghost was just the first of many hostile manifestations of evil ghosts. Throughout
the remaining conflict, her mom relies on her totem to help fight the myriad
Ghosts which ceaselessly attack her village. In these cases, her mother
vanquishes the monsters by eating them alive. The undertones of totemic
religion are subtle, but important in The
Woman Warrior.
Durkheim Animism, Ancestors, and Totemism 101 Modern Interpretation of Totemism |
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